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SHADOW COMMS

  1. Painting/Drawing
  2. Printed Work
  3. Posters/Graphics
  4. Camaraderie & Sources
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PAINTING & DRAWING 


2023:



“Ghost Guns and Illegal Scooters”, 72” x 49”, Acrylic on Mulberry Paper & Nylon Shadecloth



“NYCCTV Rorschach”, 54” x 72”, Acrylic on Mulberry Paper & Shadecloth



“Illegal Scooter Tabloid Studies”, Diptych, Gouache & Ink on 9”x12” Toned Mulberry Paper 



[Curated by Me, including the piece below] 


“FURY AT THE POINT OF PRODUCTION”, 40” x 72”, Acrylic on Xuan Paper Mounted to Shadecloth, 2023











Against The World Plantation: Large Format Series

Acrylic & Conté on 37” x 72” Mulberry Paper 

1. “Sugar Makes an Ecology of Hunger” 

2. [Cotton Brings] “The Power to Utterly Ruin and Enslave the Debtor” 

[పత్తి తెస్తుంది] “రుణగ్రస్తుడిని పూర్తిగా నాశనం చేసే మరియు బానిసలుగా మార్చే శక్తి”

3.”Fodya Nthawi Zonse Amalidwa Kuchokera Ku Ukapola” [Tobacco is Always Grown from Captivity [Slavery]] 

4. Will the Forest Grow Back from the Rubber Plantations?

[ ரப்பர் தோட்டங்களில் இருந்து காடு மீண்டும் வளருமா?]  *yet to be exhibited


Against the World Plantation: World Bank Archives Sub-Series 

Gouache & Ink on Toned Mulberry Paper, 9”x12” 

1. “Against the World Plantation”
 
2.”Dark Sunrise: Malawi Cane Fields”

3. “Cane Cutters in Negros, Phillippines”

4. “The Infernal Refinery: Ecuador Sugar Plantation” 

5. “Tobacco Inspector: Trinidad” 

6. “Young Tobacco Pickers: Malawi”

7. “Elder Tobacco Picker: Malawi” [x]

8. “Rajasthan Cotton Pickers: Wide Angle”
 
9. “Afro-Indo-Oceanic Cottonfield- Conjoined Fate? Rajasthan to Sudan”
 
10. “Sudan Cottonfield: Date Unkown”
 
11. “Malawi Cotton in Transit”
 
12. “Drowned Lorry on Malawi Road” [x] 

(All available except those marked with an [x])


  “Bloody Palms: Debt & Development” , 40” x 30”, Acrylic on Canvas 


SHADOW COMMS “Works On Paper” art show at PROPERTY IS THEFT, Brooklyn, NY, 4/7/2023-6/25/2023

Featuring original works from 2019-2023 reprinted in Shadow Comms

some works still available, inquire for price+ availability
 







Un Mundo Sin Fronteras, 2020, Pen & Marker on Newsprint, 9 x 12 Revolt in Haiti 2021, 2021, Pen, Conte Crayon and Acrylic on Newsprint, 9 x 12 Broken Windows in the Contra War, 2023, Ink on Mulberry paper, 9 x 12 Real Hydra Spirit: West Papua Prison Break 2019, 2023, Pen & Colored Pencil on Newsprint, 9 x12 In Search of the Black Spectacular?, 2019, Pen and Marker on Newsprint, 9 x 12 Fires of 2020: Lagos, 2021, Pen on Newsprint, 9 x 12 Real Hydra Spirit: Haiti Prison Break 2019, 2023, Pen and Pastel on Newsprint, 12 x 9 Attica: Never Forget, 2021, Pen and Collage on Newsprint, 9 x 12 Long Live Intifada, 2021, Acrylic on Newsprint, 9 x 12 Anou Malane, 2021, Pen on Newsprint, 9 x 12 The Dharmic Wheel Breaks Backs, 2021, Pen and Graphite on Newsprint, 9 x 12 Strike to Survive, 2020, Pen and Crayon on Newsprint, 9 x 12 Land to the Tillers, 2021, Pen and Crayon on Newsprint, 9 x 12 Agiripalli Tobacco Cutter, 2021, Pen on Newsprint, 9 x 12 Lion’s Den of Nablus: Palestine, 2023, Pen on Newsprint, 12 x 9 Specter of Indus Valley Partition 1947, 2023, Ink on Mulberry Paper, 12 x 9 [Dark Neocolonial Floodwaters] Jackson MS: Neighborhood Watch, 2022, Pen, Colored Pencil, and Marker on Newsprint, 9 x 12 [Dark Neocolonial Floodwaters] Puerto Rico: Power Lines in Hurricane Fiona, 2023, Pen, Colored Pencil, and Gouache on Newsprint, 9 x 12 [Dark Neocolonial Floodwaters] Manila in the Claws of Rain, 2023, Pen and Colored Pencil on Newsprint, 9 x12 [Dark Neocolonial Floodwaters] Queens: Basement Apartment Ruins, 2023, Ink and Gouache on Mulberry Paper, 9 x 12 [Dark Neocolonial Floodwaters] Pakistan: Countryside to City, 2022 (Diptych), Pen & Ink on newsprint, 2x 9 x 12




“Fascism After the End of History”, Acrylic on Canvas, 24” x 36”